Directing Reviews and Media
Dear Jack, Dear Louise, Florida Studio Theatre
"Director Kristin Clippard smartly captures Ludwig’s rat-a-tat rhythms." - Marty Fugate, Your Observer
"Clippard, who has staged several strong productions in Sarasota in the last year, keeps it all open and honest. We feel like we’re in their heads as Jack and Louise get to know one another."
“…a beautifully delivered, human and romantic story about true love, patience and perseverance.” - Jay Handelman, Sarasota Herald Tribune
"Under the direction of Kristen Clippard, who knows how to build Ludwig’s dialogue (and silences) to touch the softer notes as well as hit his punch lines, Sobel and Rader have a nice chemistry together…"
- Kay Kipling, Sarasota Magazine
The Sound Inside, Urbanite Theatre
“Opening night saw the sort of drum-tight performance that is rarely achieved even by the end of a healthy run, as the two performers batted lines back and forth with the comfort and grace of a long-time comedy duo dusting off a well-honed act. Considering the dramatic nature of the material, the effect of such excellent tone and timing is magnified considerably.”
“Urbanite's inspired production of The Sound Inside is a tremendous credit to Rapp's creative triumph, giving audiences much to think about after the curtain drops.” - by Dennis "Mitch" Maley, The Brandenton Times
“It is all beautifully and naturalistically staged by Kristin Clippard in a way that never feels forced. The stories unfold as if they’re happening now. The connection between the two actors is remarkable, and the costumes by Kristy Iris are simple and on point. That is typical of the kinds of productions Urbanite Theatre stages. “The Sound Inside” ranks among the company’s best, keeping you focused on the story and characters and leaving plenty to discuss on the way home.” - Jay Handelman, Sarasota Herald-Tribune
“Director Kristin Clippard never loses balance on Rapp’s wobbly meta-fictional tightrope. She keeps you guessing about what’ll happen next. You never doubt what’s happening now. Clippard directs with crystal clarity. With Rapp’s mind games to work with, that’s a high-wire act.” - Marty Fugate, Your Observer
The Agitators, freeFall Theatre
“As an introduction to two historical figures who might otherwise have remained on their lofty untouchable pedestals, The Agitators is a pleasure…” - David Warner, The Gabber
“…Director Kristin Clippard and the team have done a fine job of putting together a thrilling and yet slow burner of an evening at the theatre.”
“Kristin Clippard … produces a show that is sharp, fluid and exact down to the final moments. An expertly paced 105 minutes keeps the audience drawn in from the start. In today's political climate where we find the world so divided in all areas, it can be quite a task to mount a production such as this. Kristin and team provide us an evening that is informative, full of wit and humor, and a keen eye to story-telling that should be experienced.” - Drew Eberhard, Broadway World
Romeo and Juliet (Digital Theatre), American Stage
American Stage: Romeo & Juliet Director's Look Video
Alabaster, Capitol Stage
"Director Kirstin Clippard keeps the pace brisk, and is adroit at balancing the discussions of tragedies in the past as well as the occasionally raunchy observations from the goats. I don’t think I’ve ever seen another play that’s quite like “Alabaster...”
- Jeff Hudson, Cap Radio
"Director Kristin Clippard carefully keeps the pace steady and the characters connected with each other and the audience." - Patti Roberts, Sacramento News and Review
Capital Stage "Meet the Director" video
Silent Sky, American Stage
“How she gets there, and what happens to her along the way, makes for a compelling story, somewhat tragic but, in the hands of director Kristin Clippard, expertly told.”
“…this truly divine production shines at every turn…” - Kathy Salustri, Creative Loafing
“Kristin Clippard’s direction brisk yet empathetic, making a play that could feel like a science lesson much more palatable to a 2019 audience.” - Jay Cridlin, Tampa Bay Times
The Roommate, American Stage
"Under Kristin Clippard’s nuanced direction, the American Stage production traces the bumpy, pitted arc of the women’s relationship; it’s not always pretty, but it’s always fascinating, and above all else it’s fiery and ultimately very, very funny." - Bill DeYoung, The St. Pete Catalyst
"Their comedic timing drew tons of laughs. They use every inch of the stage and perform real tasks like slicing apples and making coffee."
"Sharon’s descent into illicit activities are at first influenced by Robyn, but then she abruptly dives off the deep end into waters that Robyn won’t venture. Her transformation is so dramatic that it seems unbelievable, but she does it so gleefully that the audience was guffawing at her antics. And as it’s happening, a more subtle, poignant change happens in Robyn. That change is the meaningful difference that sets this show apart from the odd couples that came before." - Maggie Duffy, Tampa Bay Times
A Christmas Carol, Orlando Shakes
"Set in the quaint and masterfully designed attic of a Victorian Era family's home, director Kristin Clippard's unique storytelling experience of "A Christmas Carol" places the audience alongside the family as they tell the story of the miserly Ebenezer Scrooge... to their youngest child. The narration effect we have with the family is done with such subtlety that you easily find yourself slipping into the story..."
- McKenzie Lakey, Broadway World
"More important than the flash however was the emotional heart of the production. This is a great show to warm even the coldest heart this holiday season." - Thomas Thorspecken, Analog Artist
Twelfth Night, Theatre at Monmouth
"Clippard has gone full throttle on the farcical aspects of "Twelfth Night, using the talents of Monmouth veterans and skilled newcomers to bring theatergoers to tears of laughter. The physical comedy of the show, the clever use of potted props and the breakneck pace of the action makes this one of the most memorable productions at the Shakespearean Theater of Maine."
"This is a fine and funny production that will satisfy Shakespeare scholars and theatergoers experiencing the Bard for the very first time." - Judy Harrison, Bangor Daily News
The Luckiest People, Orlando Shakes
"...playwright Meridith Friedman and director Kristin Clippard beautifully capture the melancholy in these characters’ souls."
" ...Clippard’s actors make the everyday consistently interesting and effortlessly lift the inconsequential to the compelling." - Matthew J. Palm, Orlando Sentinel
"I laughed, I cried...."
"The injuries of childhood surface and the injustice of being treated like a child as an elder become a driving theme." - Thomas Thorspecken, Analog Artist
Les Liaisons Dangereuse, Anne Arundel Community College
"This exquisite production was directed by Kristin Clippard..." - Wendi Winters, DC METRO
"...Clippard... does an admirable job taking us back to the 1700s. The pace moves right along, from the characters’ dialogue to the tightly choreographed scene changes...
...beautiful visually, with Clippard and the cast doing a fine job keeping things moving."
- Jim Reiter, Bay Weekly
Voted one of the Best University Productions of 2014, DC METRO
Imaginary Invalid, Annapolis Shakespeare
"It’s so much fun for the middle of the workweek, it almost feels illegal." - Andrew White, MD Theatre Guide
"...three riveting acts of fast-paced fun, with a stellar cast reveling in every rhyming couplet...
...director Clippard’s focus on the details pays off." - Jim Reiter, Bay Weekly
"Witty and sharp, with clearly defined characters and opulent costumes, Director Kristin Clippard does justice to this classic satire of lust, greed, and the medical profession."
- Michael Poandl, DC METRO
Voted one of the Best Plays of 2014, DC METRO
"Director Kristin Clippard smartly captures Ludwig’s rat-a-tat rhythms." - Marty Fugate, Your Observer
"Clippard, who has staged several strong productions in Sarasota in the last year, keeps it all open and honest. We feel like we’re in their heads as Jack and Louise get to know one another."
“…a beautifully delivered, human and romantic story about true love, patience and perseverance.” - Jay Handelman, Sarasota Herald Tribune
"Under the direction of Kristen Clippard, who knows how to build Ludwig’s dialogue (and silences) to touch the softer notes as well as hit his punch lines, Sobel and Rader have a nice chemistry together…"
- Kay Kipling, Sarasota Magazine
The Sound Inside, Urbanite Theatre
“Opening night saw the sort of drum-tight performance that is rarely achieved even by the end of a healthy run, as the two performers batted lines back and forth with the comfort and grace of a long-time comedy duo dusting off a well-honed act. Considering the dramatic nature of the material, the effect of such excellent tone and timing is magnified considerably.”
“Urbanite's inspired production of The Sound Inside is a tremendous credit to Rapp's creative triumph, giving audiences much to think about after the curtain drops.” - by Dennis "Mitch" Maley, The Brandenton Times
“It is all beautifully and naturalistically staged by Kristin Clippard in a way that never feels forced. The stories unfold as if they’re happening now. The connection between the two actors is remarkable, and the costumes by Kristy Iris are simple and on point. That is typical of the kinds of productions Urbanite Theatre stages. “The Sound Inside” ranks among the company’s best, keeping you focused on the story and characters and leaving plenty to discuss on the way home.” - Jay Handelman, Sarasota Herald-Tribune
“Director Kristin Clippard never loses balance on Rapp’s wobbly meta-fictional tightrope. She keeps you guessing about what’ll happen next. You never doubt what’s happening now. Clippard directs with crystal clarity. With Rapp’s mind games to work with, that’s a high-wire act.” - Marty Fugate, Your Observer
The Agitators, freeFall Theatre
“As an introduction to two historical figures who might otherwise have remained on their lofty untouchable pedestals, The Agitators is a pleasure…” - David Warner, The Gabber
“…Director Kristin Clippard and the team have done a fine job of putting together a thrilling and yet slow burner of an evening at the theatre.”
“Kristin Clippard … produces a show that is sharp, fluid and exact down to the final moments. An expertly paced 105 minutes keeps the audience drawn in from the start. In today's political climate where we find the world so divided in all areas, it can be quite a task to mount a production such as this. Kristin and team provide us an evening that is informative, full of wit and humor, and a keen eye to story-telling that should be experienced.” - Drew Eberhard, Broadway World
Romeo and Juliet (Digital Theatre), American Stage
American Stage: Romeo & Juliet Director's Look Video
Alabaster, Capitol Stage
"Director Kirstin Clippard keeps the pace brisk, and is adroit at balancing the discussions of tragedies in the past as well as the occasionally raunchy observations from the goats. I don’t think I’ve ever seen another play that’s quite like “Alabaster...”
- Jeff Hudson, Cap Radio
"Director Kristin Clippard carefully keeps the pace steady and the characters connected with each other and the audience." - Patti Roberts, Sacramento News and Review
Capital Stage "Meet the Director" video
Silent Sky, American Stage
“How she gets there, and what happens to her along the way, makes for a compelling story, somewhat tragic but, in the hands of director Kristin Clippard, expertly told.”
“…this truly divine production shines at every turn…” - Kathy Salustri, Creative Loafing
“Kristin Clippard’s direction brisk yet empathetic, making a play that could feel like a science lesson much more palatable to a 2019 audience.” - Jay Cridlin, Tampa Bay Times
The Roommate, American Stage
"Under Kristin Clippard’s nuanced direction, the American Stage production traces the bumpy, pitted arc of the women’s relationship; it’s not always pretty, but it’s always fascinating, and above all else it’s fiery and ultimately very, very funny." - Bill DeYoung, The St. Pete Catalyst
"Their comedic timing drew tons of laughs. They use every inch of the stage and perform real tasks like slicing apples and making coffee."
"Sharon’s descent into illicit activities are at first influenced by Robyn, but then she abruptly dives off the deep end into waters that Robyn won’t venture. Her transformation is so dramatic that it seems unbelievable, but she does it so gleefully that the audience was guffawing at her antics. And as it’s happening, a more subtle, poignant change happens in Robyn. That change is the meaningful difference that sets this show apart from the odd couples that came before." - Maggie Duffy, Tampa Bay Times
A Christmas Carol, Orlando Shakes
"Set in the quaint and masterfully designed attic of a Victorian Era family's home, director Kristin Clippard's unique storytelling experience of "A Christmas Carol" places the audience alongside the family as they tell the story of the miserly Ebenezer Scrooge... to their youngest child. The narration effect we have with the family is done with such subtlety that you easily find yourself slipping into the story..."
- McKenzie Lakey, Broadway World
"More important than the flash however was the emotional heart of the production. This is a great show to warm even the coldest heart this holiday season." - Thomas Thorspecken, Analog Artist
Twelfth Night, Theatre at Monmouth
"Clippard has gone full throttle on the farcical aspects of "Twelfth Night, using the talents of Monmouth veterans and skilled newcomers to bring theatergoers to tears of laughter. The physical comedy of the show, the clever use of potted props and the breakneck pace of the action makes this one of the most memorable productions at the Shakespearean Theater of Maine."
"This is a fine and funny production that will satisfy Shakespeare scholars and theatergoers experiencing the Bard for the very first time." - Judy Harrison, Bangor Daily News
The Luckiest People, Orlando Shakes
"...playwright Meridith Friedman and director Kristin Clippard beautifully capture the melancholy in these characters’ souls."
" ...Clippard’s actors make the everyday consistently interesting and effortlessly lift the inconsequential to the compelling." - Matthew J. Palm, Orlando Sentinel
"I laughed, I cried...."
"The injuries of childhood surface and the injustice of being treated like a child as an elder become a driving theme." - Thomas Thorspecken, Analog Artist
Les Liaisons Dangereuse, Anne Arundel Community College
"This exquisite production was directed by Kristin Clippard..." - Wendi Winters, DC METRO
"...Clippard... does an admirable job taking us back to the 1700s. The pace moves right along, from the characters’ dialogue to the tightly choreographed scene changes...
...beautiful visually, with Clippard and the cast doing a fine job keeping things moving."
- Jim Reiter, Bay Weekly
Voted one of the Best University Productions of 2014, DC METRO
Imaginary Invalid, Annapolis Shakespeare
"It’s so much fun for the middle of the workweek, it almost feels illegal." - Andrew White, MD Theatre Guide
"...three riveting acts of fast-paced fun, with a stellar cast reveling in every rhyming couplet...
...director Clippard’s focus on the details pays off." - Jim Reiter, Bay Weekly
"Witty and sharp, with clearly defined characters and opulent costumes, Director Kristin Clippard does justice to this classic satire of lust, greed, and the medical profession."
- Michael Poandl, DC METRO
Voted one of the Best Plays of 2014, DC METRO
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A Midsummer Night's Dream, Annapolis Shakespeare
"...this mischievously entertaining show is a brilliant representation of how the company continues to grow…" - Amanda Gunther, DC Metro Review "Yet it’s easy to follow, swinging with ease from extremes of tenderness to slapstick." - Jane Elkins, Bay Weekly Review "Another hallmark of the company is the combination of eloquence and energy among its young actors." - Mary Johnson, Baltimore Sun Review "I adored every minute of it!" - April Forrer, MD Theatre Guide Review |
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A Midsummer Night's Dream was named BEST PLAY of 2013 by Maryland Theatre Guide's Reader's Choice Awards.
Photo by Thomas Eslinger
Mastering the demanding art of directing
She Stoops to Conquer director Clippard enjoys collaborating to bring stage productions to life
article by Christopher Claire for Iowa Now, May 4, 2013
She Stoops to Conquer director Clippard enjoys collaborating to bring stage productions to life
article by Christopher Claire for Iowa Now, May 4, 2013
